JANICE: Girl power is nothing new. Way back in 1703 Antonio Vivaldi was teaching girls in a Venetian orphanage to play every musical instrument, including the bassoon. The girls' orchestra became famous all over Europe. You can read about Vivaldi and these girls who were ahead of their time in this book.
Since they were orphans, many of the girls had no last names, so they were given the name of the instrument each one played, such as Catarina of the Viola or Bettina of the Bassoon. Here they are.
Tom's illustrations are true to Venice. We made several research trips and stayed in a palazzo in the square where Antonio grew up. Tom took photos, sketched, and did some plein air painting.
Kirkus Reviews said: "Giving even Canaletto a run for his money, the illustrator sets expressive, natural-looking figures against golden-toned backdrops of 17th-century Venice's rich interiors, splendid vistas, opulent churches and serene canals . . . (A) fetching introduction to one of the great masters of the Baroque era."
By the time we finished this book I had fallen in love with Vivaldi and these orphan girls, so I wrote another book about one of them, Anna Maria.
Her father made a violin for her before he died. When she plays it, she hears his voice. At the orphanage she quickly becomes Vivaldi's favorite student, making Paolina, one of the other girls, jealous. One night she steals Anna Maria's violin and throws it into a canal. Can Anna Maria ever get it back? Read this book and find out.
Since they were orphans, many of the girls had no last names, so they were given the name of the instrument each one played, such as Catarina of the Viola or Bettina of the Bassoon. Here they are.
Tom's illustrations are true to Venice. We made several research trips and stayed in a palazzo in the square where Antonio grew up. Tom took photos, sketched, and did some plein air painting.
Kirkus Reviews said: "Giving even Canaletto a run for his money, the illustrator sets expressive, natural-looking figures against golden-toned backdrops of 17th-century Venice's rich interiors, splendid vistas, opulent churches and serene canals . . . (A) fetching introduction to one of the great masters of the Baroque era."
By the time we finished this book I had fallen in love with Vivaldi and these orphan girls, so I wrote another book about one of them, Anna Maria.
Her father made a violin for her before he died. When she plays it, she hears his voice. At the orphanage she quickly becomes Vivaldi's favorite student, making Paolina, one of the other girls, jealous. One night she steals Anna Maria's violin and throws it into a canal. Can Anna Maria ever get it back? Read this book and find out.
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